That Kind of Movie

If you are going to document something, it means to faithfully represent what is/was there, so that it can be shared and understood. What happens when you document what has happened and you leave portions out of that documentary effort, is that you become a part of erasure. And it can happen so innocently. You may not want to impact someone’s reputation, for example. Or you need to keep someone on the record, so it means possibly that you have to exclude someone else…because they have beef with one another. People can lose their livelihood, often unbeknownst to them, for being involved in documenting the truth of what’s transpired around a certain issue. Moneyed interests can influence one’s decision or an organization’s choice to be a part of accurately documenting history as well as contemporary (right now!) events.

I guess what’s wild to me is that from day one of starting on my first documentary about exposing truths (in 2015)…I keep learning how you can’t tell the whole truth. Not in the kind of society that we have all agreed to live in. Call it an affectation of so-called “polite society” perhaps…or call it fear. Call it pragmatism. I’d say that our society is designed as a place for people to hide from the truth. I am not saying it happens on purpose. I don’t think it’s intentional. I think instead that we unconsciously seek to protect ourselves and so sleepily design a world of mattresses where we can take naps while it all falls apart around us. We’d rather not know…I mean…don’t interrupt our Netflix.

The bottomline line is that it’s difficult to say the whole damn thing and that’s frustrating as hell. The only way to have a pure documentary film or podcast is to interview people, and to be the kind of person, where your employment has no strings to the topic…where you won’t lose any friends for your honest words, where people are willing to put it all out there because they have stopped sleeping.

In every case, a conservation documentary hinges on the same tired premise; Money corrupts absolutely. There are many ways to effectively tell that story…which I don’t think we’ve seen yet. I want to find one of them, and put it to good use.

In this podcast, but especially when it comes to the movie…I want to really do something different with this film about the Iowa Prairie. I want to take a lot of creative directions that I have never attempted. I currently live in what is most likely the most environmentally degraded and abused landmass in the entire USA. But hardly anyone realizes it yet. Few understand just how bad it is here and what it means for the future. I have made some wonderful documentary pieces. I wouldn’t change a thing about them. But this one? Iowa needs a movie that makes the audience think “I can’t believe he just said that…and it was true” I am hoping that I can find enough people in the state who are willing to tell it like it is. Because a documentary without a community and without people who risk…isn’t one that makes an impact. And Iowa NEEDS an impact. I hope for a creation that leaves an indelible impression.

Anywho…here is Podcast Episode #2

Recursive

In my field of work, there are times when the truth can’t be talked about by those who I am interviewing. There are those who can’t even be involved on any level with a production for fear that they will lose their jobs, or that even their spouses will lose their jobs-job loss by association.

It’s happened in two of the movies that I have made: Bolin Creek Unpaved and 400 Feet Down. It has happened in the podcast series that I am currently releasing; Salmonfolk Radio. In these three instances I am helping others illuminate the truth about environmental concerns through interviews and filmmaking. The goal is always the same…bring these issues to light for an audience so that they can know the issues exists and how to do something about them. 

These issues need highlighting because there are people who will do anything to make money and the Earth is, so to speak, what they use to convert their greed into cash in their bank accounts. Some people are motivated by greed. Some already have more than they could spend in a lifetime. What runs greed though, is fear. Every hoarder runs on fear. If you’ve been in the home of a true hoarder, the stacks of dross, the 30 year old newspapers, the dust, the waste…it’s the same mentality that drives some of us to just collect more and more money. Fear of not having enough, fear of letting go.  The earth’s creatures, mineral deposits, are what stands in the way of the money making machinery. And the only thing that can stop this machine is when the truth becomes the monkey wrench. This requires people to talk about the truth…because those motivated by greed can’t find it on a map of the Earth any longer.

I am making these movies and podcasts about that machinery and the people who I am interviewing become the monkey wrench. 

Those who are motivated to protect, to rescue, to conserve. Somehow, they have slipped out of the monetary padlock. Yet, there are times when the truth can’t come out. In every documentary about protecting the planet I have worked on, there are moments where the camera and mic had to be turned off. And it was when the person I was interacting with said “this can’t be on the record…I could lose my job” or “I could be attacked if they knew I said this”.

Those moments and the things that were said…if they had been shared in the film or podcast, would have been silver bullets to the werewolves. When you sit down with someone for a feel good documentary about doing the right thing and they look at you and say the truth only when it’s off the record…it really shows you, so starkly-what the world of human relations is really like. It’s so recursive.

The reason I am making the documentary is the same reason that the person can’t come forward. 

The documentary is needed because there are people who can’t tell the truth without facing consequences…monetarily, physically…possibly both.
I am trying to tell a story about how to reverse damage to the very home we live upon but  every environmental story is really a tale of people vs people.

Recursive.

Until we figure out how to escape these shackles…

I think a lot about door locks. On every house. On every car. On most doors to buildings. We say that we live in free societies. We talk about community. Every time I see a door lock I know we haven’t gotten there yet. When you are a person who needs protection from other persons…I don’t know how we call ourselves free at all. It instead only happens in small pockets, micro scale.

I am writing this due to a recent development in my work on the story of The Last Shark.  It’s a documentary movie about one of the main sources of the disappearance of the Great White Shark off the coast of South Africa. Spoiler Alert: It’s people.

I am Co-Director and Editor. And for the 3rd time, since starting work on this movie, I have had to wrestle (today) with the fact, that for others to be involved in this production, they run the risk of experiencing bodily or financial harm.

And it’s because of people. People who have are driven so powerfully by fear that they would seek to crush the truth spoken by others. And that’s recursive. Because what it really shows about the oppressors is that the truth in them has been crushed already.

It’s easy to read this and think that I feel crushed under the weight of being close to these heavy topics. Beaten down and wanting to give up. That is there for sure.

But what I get to do in my work is be close to people who want to tell the truth. And that fucking matters. It matters. Whether they go on record or not isn’t important to me. The point for me is that I get the privilege of interacting with people who take the time to observe, think and care about what is happening around us.

What I also have observed, through the films I have worked on and the podcasts…is that even if the fearful many have the numbers…it doesn’t take more than a few honest voices to help dispel that fear and get people back on the right course.

In closing, the theme of this writing is fear and the word “recursive”. It just occurred to me now that recursive is an adjective that one could use to define how fear works. I think only truth can break that cycle.

The Last Shark is a movie about protecting the Great White Shark. I can’t think of a more feared creature than Great White Sharks. So dispelling and overcoming fear is truly the topic of this film.

I am ready

So, enjoy the freeform brainstorm. Writing is part of my process now…which is not something that was involved in any of the other films that I have done. 

It’s weird okay? Coming “back” to making a movie on any topic, after a forced 3 year hiatus for any filmmaking, it’s super strange. I am super excited, but yeah, it’s super strange also.

I just finished watching “The Offer” on Paramount+ as inspiration. I want to try things in this movie that I have never tried before. But before I really start cutting things down on the timeline I need to have a mantra. I need to know what it is for. Why am I about to spend about 80 hours making this thing when I could otherwise be outside, doing yoga, paddleboarding, swimming, hiking, making new friends?  Why? What’s it all about anyway…you know?

Taking stock, by the numbers:

-I have about 6 hours of footage on the timeline in the sequence everything was shot. 

-The 6 hours is the combination of 5 separate days of filming in 5 different locations.

-All the footage involves myself and John solely, with different natural areas playing the other characters. 

-It’s a straight up documentary, no acting, nothing is staged, complete non-fiction. 

-I began filming in 2017.

-My last day of filming was May of 2022.

-I never thought that this film would take 5 years to make. I planned on having it done in 2018.

I can’t really start unless I write down why it has taken 5 years. Other projects of immediacy came into play…my favorite forest was about to get cut down…so I made a movie against that. Another favorite forest connected to my family was about to be turned into a 400 foot deep stone quarry forever, so I made a movie to raise awareness about that one as well. I discovered by accident what was going on with factory scale farming of salmon in the oceans around the globe and then began a big project on that topic. I wanted to have this film daylighted and seen…but the timing wasn’t right. Then came my mom’s dementia and cancer and my sudden move to where my parents lived to help them out. All film work ceased for 3 years. Oh…and there was a worldwide pandemic. While everyone else was finding their inner creator and launching podcasts…I was living in a very tough situation as a full time caretaker as my mom lost her mind and her life…not a good time to edit a movie. 

Everything happens at the right time. Even when we don’t want it to be the right time, when it happens, is when it is right. I am glad that this movie has taken so long to get to. Because now I have a fully different approach to what this footage means to me. The outdoors, it saved my life. While being a caregiver, being outside and furthermore, bouldering- (rock climbing without ropes or gear) was what helped me hang on to sanity. Wildness saved me. The feel of stone under my fingertips and the pinched toes in my La Sportivas helped me remember what is good in life. And that is what John was telling me back in 2017. He was always holding the museum quality pitons or other gear from the late 1960’s…sure. But what he was always talking about was how climbing was about friendship and sharing the adventure, and being in beautiful places and protecting the places you love to recreate in. His message makes so much more sense to me now than when we began. 

I will admit that I feel no small amount of pressure to get it right. I want this movie to communicate clearly to a climbing and non climbing audience, what is good in life. How does one make a film about climbing that doesn’t have any actual climbing footage in it…and keep the audience engaged? For me, to my way of thinking…that is my task. I have to choose which parts of John’s illuminations and ruminations rise to the top. It’s a bit daunting. I think also the pressure is on because this movie is the first one I am working on since my life had that major 3 year detour. But also it’s on a topic that is near and dear to me. If any label describes me thoroughly, it’s “climber”…more specifically “boulderer”. I have been climbing now since 1991. Check the calendar. 30 years ago I started bouldering and I haven’t stopped yet. It matters to me a lot. And so, this film is quite special to me. My hope is that those who watch it either discover or rediscover how bouldering or climbing is such a rarified and special undertaking.

The transcripts are done and marked up.
I have post it notes splayed out all around.
I am ready.

Follow the journey on https://oldschoolstone.wordpress.com

Me. June 2022. McKenzie Pond Boulders, ADK, NY. Doing research for the film lol.