I simply have to clear my head before I embark on this next project, The Last Shark. Before jumping into dropping the first sequences onto that Premiere Pro timeline tomorrow, there’s just some things I need to work out-otherwise I won’t have a North Star. Come along for the ride…

The topic of this next film is so…intense. And loaded. It’s without a doubt the most public facing film I have ever worked on and the stakes feel really high. 

Here’s where my mind is at…There’s no way to work on deeply involved environmental topics without coming to hate the stupidity of the humans that keep doing the same stupid shit to the planet over and over again. Yeah, I said it. I am just gonna be really blunt. I have made movies about deforestation, open net salmon farming, species loss…and it’s always the same story really. 

When you really look as closely at these topics as you must, in order to make a movie…you get close to the ugly stuff. And we (humans) are always the one’s making the ugly stuff. And it always comes back to the story we are creating from.

My big question whenever I start on a movie, or even a short conservation movie, is how to wrangle my deep disappointment into something positive, into compassion. Because if I allow my anger to come across in the movie, it just results in more anger, not solutions. 

The only way I don’t devolve into hate and embitterment is to dive into the historical record and find context.

I avail myself of the stories most of us have been told…at least in what we call “the Western World”. The problem is that the story we have been told is that we are superior and evolved beings, with all the exploitative privileges that comes with that bearing. 

To find compassion for this perspective, I have to remind myself that I too was raised that way, and for a time fully believed that. 

The true context is that we are technologically advanced but that is where the advancement ends. For most of us, the technological advances all around us serves as evidence of how right we must be about our superiority.

The truth is that species wise, we are still barely past the cusp of tribalism in the most negative sense.  We will fight each other at the drop of a hat or upon the hint of differences in perspective. We will still quickly fight over resources instead of sharing them.

So I like to think about what brought me into seeing the environment in a non-dominant perspective and not separated from it. What changed me was “story”.  I bumped into different stories and presentations of different contexts that showed me something different than the capitalistic love story I grew up with…the one where everyone gets to have whatever they want however they want it. The one where nature and “the environment” is this far off thing that happens in State Parks.  I started to be exposed to stories that asked me “what if it’s better to let natural things live as they wish? What if it’s better to leave something better than you found it, cleaner, more pure, more sacred?”

And so as I embark on editing my fifth feature length conservation focused film, this is what I need to remember and this is the challenge. 

I have to remember that we are crafting a story that can’t blame people for living fearfully and in this case “fear” is very specific. I ask you…is there any animal on this planet that people are more afraid of than a great white shark? Collectively it is likely the most feared creature-most would agree. Are there any blockbuster movies where Great White Sharks are the heroes? Nearly all media portrays great white sharks as aggressive, hungry, human killing, death machines.

So how do we (the filmmakers) use 18 interviews and b-roll to convince a inherently fearful audience that a living shark is more important to them than a dead shark?

I won’t lie, the pressure I feel is real. I’m aware that Frankie (the director) and I are not the last word on this topic and many are pushing back against the anti-shark narrative-and have been for decades. But still, the pressure to create something magical and life-changing, feels pretty large. Also the decimation of sharks is astounding and things have to change quickly. In the ideal world, we are hoping this movie can be a part of restorying people’s relationship with the Great White sharks. 

I came into this project skeptical, just knowing that it was about conservation was enough for me.  But honestly I still lived in fear of great white sharks because of all my cultural storytelling programming. 

When I first came into this project I really didn’t know anything about great white sharks and I know now that after watching and reading the transcripts from our 18 interviews— that my mind is absolutely made up about great white sharks. They are not at all what I thought. I feel…pretty duped by the media. And I also feel that mainstream media should stop what they are doing. The harm is just irreconcilable.

So that’s really what we’re up to here… we are now trying to craft a story that hopefully someone else will bump into, just like I did in my past.  We are hoping that someone might have their mind changed because they’re now telling themselves a true story about Great White Sharks. I think it’s restorative to believe in a story that is actually real. That’s what we need to make.