Then I read to the bottom of the home page (as you may have just done as well) and saw the following:
“In a past life, Phil was a musician for Baobab and Crowdsource. One song ended up on a GoPro commercial (here).”
I click on the link to watch the following video:
First of all…what a fricking gorgeous video. Secondly…my buddy Phil made the awesome music and though I knew he did more than talk about the end of the world…I didn’t realize that he was on that kind of level as a musician. Well done Phil! What a (humble) guy. When I ask him about his musical past he only says “I used to play music”.
The reason my posting here is titled “Small World” is because in my other, non- video, life I have a part time job in an outdoor retail shop where we sell GoPro cameras. We have a kiosk for GoPro with a screen that plays GoPro vids on a loop. The video I have been watching now for over 2 years has this pelican in it! All this time I have been watching a video that Phil helped make and I never even knew it.
If you follow my blog you are probably sorta tired of hearing about Radioactive Veteran. I SWEAR to you that I am working on lots of other fun projects as well. But just too tired to write about them…because I am working on them instead of writing about them.
I just posted yesterday that Radioactive Veteran got fully funded…right? I mean, that’s good news.
Well tonight the producer, Bradley Bethel, group messaged us that our doc got accepted into DocUtah. Is that fricking off the charts cool…or what?
Hint..the answer isn’t “or what”.
DocUtah is an international film festival. That’s classy. But you know what is even better? It is in St. George, Utah. St. George Utah is one of the primary towns affected by the very kinds of tests that Radioactive Veteran highlights.
As one local resident put it back in the 1950’s…
“I remember thinking that it was normal to see piles of dead lambs …”
What could be a more fitting location to kick off this film’s public entree? I can’t think of one.
We hope you’ll come out and see it. More details to follow once we know them on precisely what time of day the film will premiere.
I have been very fortunate in my short life so far working in video. My first professional foray into the field resulted in being an Associate Producer of Radioactive Veteran, a movie about…well…just read my previous posts. In short, it’s fricking awesome. It also just got fully funded to the tune of 10K on Seed & Spark.
The two guys above were part of the team that it wouldn’t have happened without. I first met Brad in the video biz when he screened his movie Unverified here in Chapel Hill. I was really impressed with it. I had worked with him in another capacity outside of the video realm for a while…and was always hampering with notions that perhaps someday we could work together. Now we have and it was great.
I met Mark when I heard he was looking for help with turning a whole lot of great information and footage into a full fledged documentary.
We met for coffee and…well…now it is fully funded. It’s been a great process for me to watch unfold and I learned a lot. Mainly what I learned is that it takes a team. Also I learned that though there are many times when you are up against a deadline…the fact is that nothing really happens quickly. There will be so many revisions and so many late nights and “last minute changes” and “it’s good…but how about we change this…?”
I am hoping to be able to attend some of the film festivals where this movie will ideally (fingers crossed) be showing. If it comes to a town near you, check it out. Especially if you know of any vets from the WWII era…it’s really a riveting look into their lives.
Recycling isn’t what you think it is. It runs deep. It is saving our planet. And it is on the ropes. Economically and politically we are in a losing battle with our excessive lifestyle.
For years I have wondered precisely what happens to a water bottle when it is recycled. Where does it go? Who takes it? What is it turned into?
A few months ago I made a great connection with a local who, it turns out, is a high level expert on recycling of plastics…and waste management in general. He mentioned that he is part of a group that is working hard to try to reinvigorate PET recycling here in the Carolinas.
I have teamed up with him and other associations to undertake capturing, in my own way, the story of plastics recycling. The focus is here in the Carolinas but if one extrapolates the challenges happening here, as well as the successes, it is accurate to extend those conclusions nationwide, worldwide.
This kind of story is exactly why I got into video work. I know that I say that about every project. What can I say? I love what I do.
Yesterday was spent travelling to South Carolina to film in three different facilities. I am sort of at a loss for words to say what it was like. The recycling industry, when taken as a whole is overwhelming. The amount of good that it can do, is palpable, but the amount of work it takes is staggering really…commendable.
Only 30% of goods that can be recycled here in the Carolinas are currently being recycled. Yep…7 of your 10 pals are throwing away perfectly recyclable plastic. This project is an attempt to turn that number up a bit. Why not have everyone recycle?
The first thing to know about recycling is that it is an incredibly dirty business. It’s also filled with fantastic technologies, progressive thinkers, and a lot of really hard workers on the sorting floors.
Anyways…my trip to SC was fruitful. I have one more day this upcoming week. I can’t wait to put together the footage into a shiny new video…and down the road would love to see it spun into a documentary. This trip was especially fun because my daughter went with me as an assistant. I gave her my Nikon D300o to play with and my 1.8/50mm lens. She put it in manual mode and never looked back, manually focused everything. Over the years I have taught her a bit about composition. I hope you like the shots she took here…there are some really lovely ones.
Though my role in Radioactive Veteran is somewhat peripheral…I am very proud to be a part at all of a movie that is telling a story that informs others and can make a difference.
Tomorrow I head out to film the director for a spot related to a promo piece. But today I got the news that I am excited to share. A USA Today affiliate, The Spectrum, released an article covering our doc!
When I started The Video Slab part of my commitment was to be involved with projects that spoke to social movements, environmental concerns, and stories that would make the world a better place. Radioactive Veteran was the first real story that I have been able to be a part of in this vein and wow…what a great story to be connected to. The team I get to work with on this is fantastic.
We all live under a form of government and we all want to be able to trust that said government has our best interests at heart. What happens when they don’t? What happens when a soldier who believes in protecting his country is not protected by his own government? I won’t give much more away at this point, because the article I am copying and pasting here tells the tale much better than I can.
First…here is the trailer for the documentary: Radioactive Veteran.
An East Coast university crew that interviewed Southern Utahns caught up in the military’s legacy of radioactive bomb tests it claimed were harmless is putting the final touches on a documentary film and seeking assistance through public crowdfunding.
“Radioactive Veteran” tells the story of Cold War-era testing conducted in the Southern Nevada desert and its effects on military personnel involved in the testing as well as civilians who lived “downwind” where radioactive fallout has been blamed for a host of illnesses in the decades since.
A movie trailer posted online includes interview snippets with Southern Utah historian and former Dixie State University President Douglas Alder and retired DSU professor Andrew Barnum, as well as dramatic archival footage of soldiers crossing the desert from their trenches toward a mushroom cloud billowing up over the desert.
The primary focus of the approximately 15-minute clip will be the life and death of Marine Donald Guy, who was sent from Camp Lejeune, N.C., to the Nevada Test Sitefor what would be dubbed “Operation Upshot Knothole — Shot Badger” in 1953.
“Along with thousands of other Marines and soldiers, Donald was assured he was safe as he gazed at the billowing mushroom cloud and marched through the desert toward the atomic blast,” an overview of the film states. “Within only a few years, however, Donald began experiencing serious medical issues resulting from radiation exposure and soon became disabled. For the rest of his life, he fought for disability benefits with Veterans Affairs, but in 2009 he died before receiving his due compensation.”
North Carolina Central University Professor Craig Kabatchnick, a former Veterans Affairs attorney who founded the university’s Veterans Law Clinic in 2007, became interested in the plight of Guy and his widow and began assembling a film team in 2013 to tell the story of the Downwinder battles for compensation.
“He was repelled four times (by the shock wave),” Kabatchnick said last year. “They were guinea pigs. Everybody was.”
Kabatchnick claims the government applied artificially low standards for the Nevada test subjects when performing radiation dose reconstruction work to establish whether people were exposed to enough radiation to make them ill, something that continues to be disputed by officials, he said.
Bradley Bethel, the film’s producer, said Thursday that the crew decided to create a short documentary film and release it online, then try to pull together grant funding for a feature-length film that could enjoy wider distribution in theaters.
That would involve returning to St. George to add to the 12 interviews the crew initially filmed in 2014, he said.
“We think it’s a really powerful story focusing on the one veteran and his widow … and their fight for justice and compensation,” Bethel said. “There’s still plenty of material (the film crew) did get that we won’t be able to fit into the short. But you have to find your story and then stay focused on it.”
Bethel said the crowdfunding campaign will probably launch Friday and although the outlet has not been decided, he is hoping to use seedandspark.com, which fosters documentary filmmaking and provides additional package benefits based on the campaign’s success.
The crew is aiming for $10,000 to complete post-production but even if at least 500 people sign up for updates without contributing, that will be enough to help the film get marketing-related services that “would be a huge, huge help with spreading the word,” Bethel said.
If Seed and Spark doesn’t work for the campaign launch, the crew could move to website IndieGoGo, he said.
“Because the film is sponsored by the not-for-profit American Hero Legal Defense Fund, contributions are tax-deductible,” he added.
Bethel reaffirmed the crew’s hopes to debut the film at DSU’s DOCUTAH film festival. He said the online premiere is planned for Veterans Day in November, possibly on the popular website Short of the Week, after some additional film festivals in September and October.
“It’s been a cool process,” he said.
Follow Kevin Jenkins, @SpectrumJenkins. Call him at 435-674-6253.
‘Radioactive Veteran’ trailer
Utah documentary interviews
Douglas Alder: Former president of Dixie State University, historian
Lolly Seal: Daughter of Downwinder activist.
Daniel Miles: Historian, scientist, author of Radioactive Clouds of Death.
Bruce Church: Scientist for Atomic Energy Commission during testing.
Heber Jones: Schoolteacher in St. George during testing.
Andrew Barnum: Scientist at the Nevada Test Site.
Edward Liman: Utah historian.
Nancy Williams: St. George citizen, thyroid cancer patient.
Carl Wadsworth: Extra during John Wayne movie “The Conqueror” filmed at Harrisburg.
Tamra Begay: Dixie State student studying Downwinders.
I recently had a married couple (full disclosure: MY parents) approach me with the idea of creating a video for their 50th Wedding Anniversary using old printed photos that they have had in memory books for decades…5 decades! They wanted a short retrospective of sorts. And there were a lot of photos to go through.
It was a lot of fun walking down memory lane while perusing through so many images. How to cover the last 50 years in pictures? They have traveled widely, had two children, have two grandchildren…it’s been a full 50 years.
So we came up with the idea of starting the video at the beginning and an image of my mother’s parents, then starting on my parent’s actual wedding day.
My main concern in creating what ended up being an 8 minute long video was how to not get stuck in what most slideshow style retrospectives suffer from…they are boring as dirt to view. Sure the images themselves can conjure up memories and those are enjoyable, but whenever I think of slideshows I have seen at weddings or memorials they all really look the same in terms of photo orientation and so forth.
I feel like there is life in the photo that gets flattened. What is it like to hold a photo in your hands, vs looking at a flat 2D image on a screen?
With motion graphics we have created a way to give a sense of motion to a still image…so I first thought of just scanning in the images in a scanner and then working with them that way. Then I began comparing clarity of scans vs. camera capturing the images (taking pictures of the old pictures with a high quality camera). As I began to snap pictures, foregoing the lengthy and mixed results that can come with scanning, I bemoaned how un-alive the photos were going to look. They just looked better while held in a real person’s hand…like someone was just about to hand you the pic…like we used to before the digital age!
So, I turned my Nikon’s video mode on and just started filming as I went through the sequence of photos. I realized quickly that I was essentially doing what motion graphics are designed to do, but with actual motion instead of pretend motion. I like the feeling of seeing that a photo was and can be a handheld and intimate piece of time. And as always, there is a quality to printed photos that digital imagery will never be able to replicate. There is a warmth and precision there that feels alive.
I would LOVE to do more retrospectives from actual printed stills if anyone ever has a need for it. Anywhoo…here is the quick sample below.
I had no idea that Premiere Pro was being used for feature films such as Deadpool or Hail, Caesar. In this video the lead editors and makers of these movies discuss some pretty fascinating workflow situations and so forth. It’s about an hour long but really worth the watch. I definitely have some new ideas moving forward after pondering their discussion.